February 2017 FAMILY Stories, Screenplays, and Short Films

Submit your Family Film or Screenplay to the Festival: http://festivalforfamily.com

ACTORNOVEL Transcript – MEI MENG: THE LOST PANDA
February 2017 Reading
Written by Andrew Fisk

ACTORBEST SCENE Screenplay – I SPY WITH MY LITTLE FLY
February 2017 Reading
Written by Adam Luff
ACTORBEST SCENE Screenplay – WORMHOLE 276
February 2017 Reading
Written by Veronica R. Tabares

ACTORSHORT Screenplay – TWO GEESE AND A LADY GIRAFFE
February 2017 Reading
Written by Chanda Walker
ACTORSHORT Screenplay – 5 THINGS NOT TO FEED YOUR BABY
February 2017 Reading
Written by Todd A. Jackson

ACTOR1st SCENE Screenplay – EKKO
February 2017 Reading
Written by Johnny Walker
ACTOR1st SCENE Screenplay – BROKEN FRAME
February 2017 Reading
Written by Stephen Boncella

ACTORFEATURE Screenplay – PIXYLATIONS
February 2017 Reading
Written by Joe Laudati

 

 

 

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
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SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
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FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

 

 

FAMILY BEST SCENE Screenplay – WORMHOLE 276, by Veronica R Tabares

Watch the Winning FAMILY Screenplay Reading for February 2017.

Winning Screenplay – WORMHOLE 276
Written by Veronica R. Tabares
CAST LIST:

NARRATOR – Geoff Mays
MARVI – Talia Price
JACOT – Casey Estey
TANK – John Lester Phillips

SYNOPSIS:

Genre: Family, Sci-Fi

In a futuristic space city, two teenagers travel through a wormhole to find themselves in a strange ancient land; planet earth in the 21st century.

What is your screenplay about?

In a futuristic space city, two teenagers travel through a wormhole to retrieve a box of dangerous inventions that could destroy humankind. They find themselves in a strange ancient land; planet earth in the 21st century.

What genres does your screenplay fall under?

Science Fiction and Family

Why should this screenplay be made into a movie?

We need more movies that can be enjoyed by the entire family. Movies with excitement, comedy, drama, and heart. Movies that don’t keep parents on edge, ready cover the eyes and muffle the ears of their children.

Besides, there really aren’t enough movies that portray the grand relationship, the one between grandparents and grandchildren. And even fewer with grandparents who are vibrant, active, successful scientists ready to take on the world.

How would you describe this script in two words?

Grand Journey

What movie have you seen the most times in your life?

It’s a tie between Return to Me and the Raiders of the Lost Ark. I know they’re very different from each other, but which one I want to see depends on my mood.

How long have you been working on this screenplay?

About a year and a half. I’d work on it, switch to another project, and come back to it again. It came together a bit faster than I expected. I think it wanted to be written, so it didn’t throw any temper tantrums.

How many stories have you written?

More than I can count. I’ve been doing it a while.
So, I’ll focus on the stories that became books or scripts.
My ninth book will be out this summer (six novels and three picture books) and I have two additional picture books waiting to be illustrated.
Add to that six screenplays and four shorts, and the total is twenty-one.

What motivated you to write this screenplay?

I adore science fiction and will write it whenever given the opportunity.
I found a short I’d written for a class, read it, and realized it had potential to become a feature. I flipped the focus, expanded the story, and had a lot of fun with the characters. It was a blast!

What obstacles did you face to finish this screenplay?

Life always manages to throw a few obstacles in the way of writing, but I wouldn’t have it any other way. After all, I need to live life to write about it. Each obstacle I encounter is fodder for future stories.

Apart from writing, what else are you passionate about?

Family, family, and more family! Oh, and archaeology. And computer stuff.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I could write until my fingers came to life and danced off the keyboard by themselves, but what good would that do? All those words on the page are just that, words, until they’re proven able to communicate a story.

Which means a stranger must read my screenplay and understand it. I chose to enter the festival because I enjoy writing material that is appropriate for families. It’s a good fit.

The feedback was excellent! I really appreciate the comments and hope to work them into the script soon.

How has your Network ISA experience been like?

Fantastic! It’s great to have so many resources in one place.

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
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Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

Deadlines Feb. 28th – Screenplay (Feature, TV) and Novel Writing Festivals

WILDsound Writing and Film Festival Review

Just wanted to let you know about the upcoming deadline. Hope to see you submit. Love to perform your stories at the festival.

Deadline February 28th: Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

Watch WINNING Screenplay Readings – Watch videos of past winners performed by professional actors
http://www.wildsoundfestival.com/feature_script_readings.html

READ 100s of testimonials from past submitters –
http://wildsoundfestivalreview.com/feature-screenplay-submission-testimonials-wildsound-screenplay-contest-review

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Deadline February 28th:: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

******

DEADLINE February 28th: 1st CHAPTER/FULL NOVEL Festival. Get your story performed at the Writing Festival. FULL FEEDBACK on all entries.
1st CHAPTER and FULL NOVEL FESTIVAL. Deadline February 28th

NEW OPTION: Or, just submit for an actor performance reading transcript…

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Submit your LOGLINE for FREE to www.storypitches.com

WILDsound Writing and Film Festival Review

Submit your Logline for FREE to the Story Pitch site and get it promoted on the social media networks (over 1.2 million followers)

https://storypitches.com

We will post your pitch right away and send you a link.

There is a introductory special to turn your logline into a Video Pitch for only $10. This includes a voice over artist performing your logline as your text scrolls on the video with images (optional). Watch examples on the site:

Video Pitch Logline

We guarantee 1000s of views on your video.

There are also some other exciting contests these other festivals runs that I thought would be right up your alley:

Write and submit a 1pg. screenplay. Guaranteed win and a performance reading video using professional actors:
Deadline February 28th – 1pg. Screenplay Contest

Write and submit at 1pg. novel (400 words or less). Guaranteed win and a performance reading video by a…

View original post 35 more words

January 2017 FAMILY Stories, Screenplays, and Short Films

Submit your Family Film or Screenplay to the Festival: http://festivalforfamily.com
 

TV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

BEST Scene – KIDICIDE
January 2017 Reading
Written by Kelly Karam
ACTORBEST Scene – NO MORE GOODYBES
January 2017 Reading
Written by Rebekah R. Ganiere

ACTORBEST Scene – SANDWICH
January 2017 Reading
Written by Deborah Klika
ACTORSHORT Screenplay – MODERN LOVE
January 2017 Reading
Written by Hannah Dillon

 

 

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Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

FAMILY Feature Screenplay – PIXYLATIONS, by Joe Laudati

Watch the Winning Family Screenplay for February 2017.

Winning Screenplay – PIXYLATIONS
Written by Joe Laudati

CAST LIST:

NARRATOR – John Fray
FAELA – Cynthia Crofoot
KATIE – Victoria Urquhart
ELSIE – Andrea Meister
MCBRIDE – Brian Carleton
SCUFF – Peter Mark Raphael
SEAN – Gabriel Cameron

SYNOPSIS:

Genre: Fantasy, Family

‘One prank too many. That’s all it takes to get Faela, a mischievous pixy, nearly banished from the Faerie Realm. Whether tantalizing goblins, enchanting flowers, or enraging an entire Irish town with her magical mayhem, Faela can test the mettle of even the most patient fairy. Her friend Scuff warned her not to taunt the ‘big-folk’. But what does a ‘gnome’ know?

Get to know the winning writer:

What is your screenplay about?

One prank too many. That’s all it takes to get Faela, a mischievous pixy, nearly banished from the Faerie Kingdom. Whether tantalizing goblins, enchanting flowers, or enraging an entire Irish town with her magical mayhem, Faela can test the mettle of even the most patient fairy. Her friend Scuff warned her not to taunt the ‘big-folk’. (But what does a gnome know?)

Hauled before the High Court, King Auberon gives Faela a final chance to redeem herself: become a ‘house fairy’ to the home of a widower blacksmith, and restore ‘courage and joy’ to his little daughter Elsie. Of course, no one knows that Elsie has the ‘gifted sight’, the ability to see fairies. Not even Scuff, now sent as the king’s spy, whom Faela magically merges with the family dog!

But Faela longs to experience love as a human. Attracted to the former-beau of Elsie’s stern older sister Katie, she ‘pixylates’ the girl’s body to dance with him at a summer fair. Chaos ensues, as the personalities of girl and pixy collide.

Will Faela’s romantic distractions lead her astray?

And then there’s the Pooka, a sinister shape-shifting goblin who will spare no wickedness to see Faela’s mission fail. For the Pooka has claim over any banished pixy, and he has his heart set on Faela as his bride.

What genres does your screenplay under?

This is a whimsical fantasy-comedy, intended for children aged 8 to 80.

How would you describe this script in two words?

With all due respect to Disney’s ‘Tinkerbell’, it’s time we had a new fairy on the scene. Fairies are iconic creatures, as popular as dragons, vampires, and werewolves. Yet, apart from Tink, there have been almost no movies made about these elemental forces of Nature. I can name maybe two where a fairy served as the main character, and not simply as a
Peter Pan sidekick, or window-dressing for a Willow, or Labyrinth. Where’s the sylph-love? Fairies are everywhere in our culture, in books, artwork, toys, dolls, lingerie, New Age crystal and candle shops, Halloween costumes, greeting cards, even religions and paranormal science. (check out Theosophy and Wiccanism). A lot of poltergeist activity is actually attributed to mischievous nature-spirits. Fairies are like angels, but sexier. They can be perverse, unfettered by codes of ethics, and free as the wind. Faela is that character!

Faela is Taylor Swift, Tina Fey, and a bumblebee, put in a blender and poured over ice. She’s the ‘anti-Tinkerbell’, the ‘bad-girl with a heart of gold’, filled with spunk and an irreverent wit. Outcast, she cradles a lonely heart behind a pirate smile. ‘Pixylations’ is the story of her redemption, where she learns responsibility, and become a hero, while preserving that mischievous-spark that makes her the bane of her peers.

Though originally conceived as a fully animated film, this would work equally well as a live-action / CGI combo. With renewed interest in fairy tale projects, and the popularity of films like Maleficent, and Frozen, I think it’s time ‘Pixylations’ took wing. It has the potential to become a hugely successful family film. The sky’s the limit on this one, and fairies can fly.

Why should this screenplay be made into a movie?

Magical romp.

What movie have you seen the most times in your life?

The original 1933 King Kong. I was only three years old, the first time I saw the film, and the movie totally captured my imagination. It also sparked an interest in stop-motion animation, the special-effects technique used in the film, that led to a successful career as animator, sculptor, and writer.

How long have you been working on this screenplay?

About twenty-five years, give or take, for both the screenplay and the novel. Pixies don’t like to sit on a shelf for very long. They flutter before your thoughts until you give them your full attention.

How many stories have you written?

I am a published author of four books, including the horror novels ‘Ten Thousand Demons’, and ‘In Darkness It Dwells’, as well as the novelization of ‘Pixylations’, which is available now on Amazon. I have also written five screenplays, numerous short stories, magazine articles, and a chronicle of my sculpting work in ‘Pushing Clay: 22 Years of Garage Kit Sculpture’.

What motivated you to write this screenplay?

To be ‘pixy-led’, according to the old definition, is to be enchanted and led astray by a fairy. There is no better way to describe my experience with ‘Pixylations’. When the idea first came to me, I was well involved with writing a demon novel, and a screenplay about dragons. Then suddenly, whoosh, my imagination was swept away by this impish little siren with insect wings. I come from a background of animation, and realized there had never been a decent fairy movie. It became a pet project. Despite suffering numerous attempts at production and publication, I kept returning to it, tweaking it with new details, and deepening the character values. It seems Faela will not let me rest until her story is told. When will this ‘spell’ be broken? Perhaps when the Blu-Ray comes out, and my shelf is filled with Faela novels.

What obstacles did you face to finish this screenplay?

I find there is a certain discrimination against the subject of fairies. Finding someone to read your work is always a challenge, especially if you’re a guy writing about a pixy. People turn their noses up at any fairy that isn’t Tinkerbell. It seems Neverland is the sole proprietor of fairy stories, but that’s like saying you can’t tell a good vampire tale unless it involves Dracula.

Apart from writing, what else are you passionate about?

My first love is for dinosaurs, and fantasy creatures. King Kong, and the films of Ray Harryhausen, helped launch my career as a stop-motion animator, and writer. For decades, I have made my living as a sculptor for the toy and model kit industries, creating the master patterns for many statues, action figures, and collectibles. I also have a strong interest in mythology, comparative religions, paranormal phenomenon, and metaphysics. You can check out my sculpting work and other projects at http://www.joelaudati.com.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

They say ‘if at first you don’t succeed, enter a screenplay contest’. I have labored for years to see my screenplays achieve some level of success. Winning the ‘Festival for Family’ competition has not only validated my faith in my writing ability, it has improved it. I am very grateful for the insightful critique I received from the staff. They provided the best evaluation I ever received, and the suggestions were enormously useful in refining both the screenplay, and the novel. Plus, to finally hear my dialogue spoken aloud by seasoned professionals is a thrill. I highly recommend it.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

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Producer/Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

2016 TEEN Stories

Submit your Family Film or Screenplay to the Festival: http://festivalforfamily.com

Watch the best of Family Stories from 2016. CLICK and watch the winning videos: 

ACTORNovel Transcript – BECOMING HERO
November 2016 Reading
Written by Jen Finelli

ACTORSHORT Story – A TOXIC GAME
October 2016 Reading
Written by Marianne Hagadorn

ACTORTV PILOT Screenplay – CHILDREN OF CHAOS
November 2016 Reading
Written by Kara Dueck

ACTORSHORT Screenplay – HAPPY LITTLE PILLS
October 2016 Reading
Written by Kennedy Erin

ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus


festival posterUNPRINCIPLED, 13min., USA, Comedy/Drama
WATCH Audience FEEDBACK

September 2016 Film Festival

ACTORFEATURE Screenplay: LUCIDAE
September 2016 Reading
Written by Jacqueline Marett

ACTORNOVEL Prologue – THE ACE OF KINGS
August 2016 Reading
Written by Dan Levinson

ACTOR1st SCENE Screenplay – SENIOR PRANK
August 2016 Reading
Written by Vincent Masson

ACTORTV PILOT Screenplay – SURVEILLANCE
August 2016 Reading
Written by Chris Gebhardt & Jenn Russi

ACTOR1st SCENE Screenplay – SENIOR PRANK
July 2016 Reading
Written by Shiv Sudhakar

ACTORSHORT STORY – LEILA, AGE 17
July 2016 Reading
Written by Sherry Chow


festival posterRED ROVER, 15min, Australia/USA, Fantasy/Action
WATCH Audience FEEDBACK

September 2016 Film Festival

ACTORShort Story Reading – CULT FAN
June 2016 Reading
Written by Gina Lee Ronhovde

ACTORShort Story Reading – DESTINY OF JOY
June 2016 Reading
Written by Mary Eastham

ACTORShort Screenplay – OZARK
June 2016 Reading
Written by Craig Mrock

ACTOR1st Scene Screenplay – STARBOUND
June 2016 Reading
Written by Alex A. Kecskes

ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols

ACTOR1st Chapter Reading – LIZARDIAN
March 2016 Reading
Written by Melissa R. Mendelson

ACTORShort Screenplay – BEST INTERESTS
March 2016 Reading
Written by James M. Freeman


festival posterFROG
WATCH Audience FEEDBACK


17min, USA, Family/Drama

ACTORFeature Screenplay – HENRIETTA’S ODYSSEY
February 2016 Reading
Written by L.R. Whittinger

ACTORFeature Screenplay – FOUR FOR THE BORDER
February 2016 Reading
Written by Toby Roberts

ACTORShort Story Reading – THROWING KIDS
May 2016 Reading
Written by Erik Linthorst