Garner FULL FEEDBACK on your action/adventure novel by our committee of industry professionals. Get a transcript of your novel performed by professional actors at the Action/Adventure Festival.

Next Deadline August 25th

Action/Adventure Novel Readings in 2015:
10 – Novels/Stories Performed (winner every month)

WATCH Winning Action/Adventure Story Readings:

The #1 Action/Adventure Festival and Contest in the World today!

– Offers novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– One of the best places in the world for the writers to add sales to their self-published novel and/or obtain and agent.

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is…

Festival Deal – SAVE $10 off the regular submission.

A FilmFreeway preferred festival:

COMEDY Writings and Films showcased in 2015:
28 – Screenplays Performed
8 – Novels/Stories Performed
22 – Films Showcased at Festival
(Scroll down and watch winning performance videos)

Get your script and story performed by professional actors at the Comedy Festival. Get your Short Film showcased at the FEEDBACK Film Festival and get a audience video.

The #1 Comedy Festival and Contest in the World today!

– 0ffers screenwriters, novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– Offers filmmakers to get their works showcased at the FEEDBACK Film Festival. Then the filmmaker will receive and audience reaction video on their film (see below for recent film festival videos)

– One of the best places in the world for the writers to sell their script and/or obtain and agent.

– No matter…

Submit a screenplay or short story that is only 1 page long and have it performed at the Writing Festival by professional actors. Also garner FULL FEEDBACK on your work.

(NOTE: The screenplay submission must be properly formatted. The short story submission is a maximum of 400 words.)

Deadline Aug. 25th. Submit for only $10. Most of the stories will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.

A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.

The RULES are simple:

1. Write a story that is 1pg…

DEADLINE August 15th: 1st CHAPTER/FULL NOVEL Festival.
http://www.wildsound.ca/book_contest.html

Get your story performed at the Writing Festival. FULL FEEDBACK on all entries.

Read the best of NOVEL Loglines from all over the world:

RESCUE, by Colleen Mooney
http://www.wildsoundfestival.com/rescue_by_a_kiss_by_colleen_mooney.html

SURFACE BELOW DARK SECRETS, by Leeah Taylor
http://www.wildsoundfestival.com/surface_below_dark_secrets_by_leeah_taylor.html

ARA, by Haidar Hashim
http://www.wildsoundfestival.com/ara_by_haidar_hashim.html

CURSE STORY, by Melouka Khadir
http://www.wildsoundfestival.com/curse_story_by_melouka_khadir.html

Deadline: Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

Read the best of Short Film Pitches from all over the world:

THE FEDERAL DEPARTMENT, by Sam Thorpe-Spinks
http://www.wildsoundfestival.com/the_federal_department_of_meaningful_existences_by_sam_thorpe-spinks.html

THE RICE COOKER, by Christopher Vance
http://www.wildsoundfestival.com/the_rice_cooker_by_christopher_vance.html

HAVEN FOR GRIT, by Michael Saintil
http://www.wildsoundfestival.com/haven_for_grit_by_michael_saintil.html

ANONYMOUS, by Banksia Lebel
http://www.wildsoundfestival.com/anonymous_by_banksia_lebel.html

THE THREE LODGERS, by Bayo Baker
http://www.wildsoundfestival.com/the_three_lodgers_by_bayo_baker.html

THE DIFFERENCE BETWEEN CARE AND DEATH, by Yetunde Ayodele
http://www.wildsoundfestival.com/the_difference_between_care_and_death_by_yetunde_ayodele.html

WHO IS NEXT, by Deepa Dharmaraj
http://www.wildsoundfestival.com/who_is_next_by_deepa_dharmaraj.html

SPITTING IMAGES, by Jenn Ekeoba
http://www.wildsoundfestival.com/spitting_image_by_jenn_ekeoba.html

Deadline: Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

 Read the best of Feature Film Pitches from all over the world:

THE BLACK FOREST HAM, by Matthew Heinze
http://www.wildsoundfestival.com/the_black_forest_ham_by_matthew_heinze.html

HER DAGUERREOTYPE, by Jim Starr
http://www.wildsoundfestival.com/her_daguerreotype_by_jim_starr.html

BLUE COVE DAY, by John Robert Jolley
http://www.wildsoundfestival.com/blue_cove_day_by_john_robert_jolley.html

THE PREY, by Luca Alfaroli
http://www.wildsoundfestival.com/the_prey_by_luca_alfaroli.html

FOXHUNT, by Emily Schooley
http://www.wildsoundfestival.com/foxhunt_by_emily_schooley.html

HOLY-WAR, by Joseph D. Shellim
http://www.wildsoundfestival.com/holy-war_by_joseph_d_shellim.html

DREXLER, by Carlton L. Winston
http://www.wildsoundfestival.com/drexler_by_carlton_l_winston.html

O CRY AFRIKA, by William Teller
http://www.wildsoundfestival.com/o_cry_afrika_by_william_teller.html

THE CANCUN INCIDENT, by Lynn Winiarczyk
http://www.wildsoundfestival.com/the_cancun_incident_by_lynn_winiarczyk.html

BHUNDU, by Tawanda Mudokwenyu
http://www.wildsoundfestival.com/bhundu_by_tawanda_mudokwenyu.html

SHADOW BROTHER, by George Tysley
http://www.wildsoundfestival.com/shadow_brother_by_george_tysley.html

SALVAGE AND RECEOVERY THE HEIST, by Lynn Winiarczykt
http://www.wildsoundfestival.com/salvage_and_recovery_the_heist_by_lynn_winiarczykt.html

CARROW, by Kimberly Tompkins
http://www.wildsoundfestival.com/carrow_by_kimberly_tompkins.html

BLOTEFLY, by Vaughn Jennings-White
http://www.wildsoundfestival.com/blotefly_by_vaughn_jennings-white.html

THE ANTI-CHRIST, by Thomas Williams
http://www.wildsoundfestival.com/the_anti-christ_by_thomas_williams.html

TWO FINS ON A FISH, by Kent Flaagan
http://www.wildsoundfestival.com/two_fins_on_a_fish_by_kent_flaagan.html

CALLALOO AND COLLARD GREENS, by Chrisana Noel-Paul
http://www.wildsoundfestival.com/callaloo_and_collard_greens_by_chrisana_noel-paul.html

ASCENT FUSION, by Ruslan Tlif
http://www.wildsoundfestival.com/ascent_fusion_by_ruslan_tlif.html

NILE, by Peter Mbulo
http://www.wildsoundfestival.com/nile_by_peter_mbulo.html

We’re telling stories. Every scene is a piece of that tapestry. Every shot is like a thread in that tapestry. How do those individual threads work best to tell the story of that scene? What are the objectives of that scene? That’s what I’m trying to figure out. I hope to take an audience on a ride when I cut action. I think the best way to do that is by keeping track of the characters in the midst of whatever action is going on. What are they doing in the scene? How are they reacting? If you connect the audience to the characters, it becomes an immersive experience. I think every film, doesn’t matter what genre, succeeds when it gets to that level.

– Greg D’Auria. On his editing process.

Read the entire interview with the editor at http://www.matthew toffolo.com

Interview with Editor Greg D’Auria (Star Trek Beyond, Fast…