Submit your Action/Adventure Story to the Festival Today: http://actionadventurefestival.com

Best of Action/Adventure Films and Stories showcased at the festival in May 2016:

Fan Fiction TV Screenplay – POWER (Green Lantern) May 2016 Reading Written by Hisonni Johnson

Short Screenplay – SCENARIO 957 May 2016 Reading Written by Amy E. Jones

Fan Fiction Feature Screenplay – STAR WARS Episode I: THE REDEMPTION OF SKYWALKER May 2016 Reading Written by Brian O’Flaherty

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Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

Submit your Action/Adventure Story to the Festival Today: http://actionadventurefestival.com

Best of Action/Adventure Films and Stories showcased at the festival in June 2016:

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Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

Submit your Fantasy/Sci-Fi Screenplay or Film via FilmFreeway:

Get your script and story performed by professional actors at the Fantasy/Sci-Fi Festival.

Get your Short Film showcased at the FEEDBACK Film Festival and get an audience video.

See the best of the Sci-Fi/Fantasy January 2016 Film and Screenplay Festival

February 2016:

March 2016:

April 2016:

May 2016:

Fantasy/Sci-Fi Screenplay Festival occurs every single month.

Next film festival date is Thursday August 18, 2016. Submit your film today and get it shown at the sold out festival.

FANTASY and SCI-FI Stories used to be a fringe market. Now they are in the mainstream now and forever as movies, television shows, and stories in fantasy/sci-fi are a gigantic multi-billion dollar market. This portion of the Film & Writing Festival serves the Fantasy and Sci-Fi filmmakers and writers from all over the world.

– 0ffers screenwriters, novelists and storytellers at all levels the fantastic…

Deadline to submit your screenplay to the festival: http://www.wildsound.ca/screenplaycontest.html

Watch the Winning Best Scene Screenplay Readings from January to June 2016 from the Writing Festival:

Best Scene Screenplay – SEED OF THE WOMAN June 2016 Reading Written by Gary R. Billings

Best Scene Screenplay – THE MESSIAH PROJECT June 2016 Reading Written by David E. Baugnon

Best Scene Screenplay – FOR ALL MANKIND May 2016 Reading Written by Matthew O’Connell

Best Scene Screenplay – LONG IN THE TOOTH May 2016 Reading Written by Mark Wasserman

Best Scene Screenplay – IX May 2016 Reading Written by Eric Irizarry

Best Scene Screenplay – LE CHAT NOIR April 2016 Reading Written by Paula Sewell

Best Scene Screenplay – MATSQUI MASSACRE April 2016 Reading Written by Mark Curtis Dunn & Pamela C. Royal

Best Scene Screenplay – THE HOOPLA March 2016 Reading Written by Thomas Nesti

Best Scene Screenplay – SCREAMING MY HEART OUT March…

Submit to the Horror Film & Screenplay Festival via FilmFreeway:

Submit to the Action/Adventure Film & Screenplay Festival:

Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.

Interview with Crispin Green: 

Matthew Toffolo: Tell us about the “Game of Thrones” experience. How is editing such a unique show where there are 4-7 plots occurring in a single episode?

Crispin Green: It’s an experience quite unlike working on other shows in that the editors are there for the duration of the shoot (about 6 months) rather than blocks of two or three episodes. This can help in the editing process as you get more of a sense of the season as a whole story.

MT: Will you be back to editing the series “Game of Thrones”? How does the process work? Who do you report to and collaborate with? The showrunners? The novelists? The director of…

Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.

Interview with Crispin Green: 

Matthew Toffolo: Tell us about the “Game of Thrones” experience. How is editing such a unique show where there are 4-7 plots occurring in a single episode?

Crispin Green: It’s an experience quite unlike working on other shows in that the editors are there for the duration of the shoot (about 6 months) rather than blocks of two or three episodes. This can help in the editing process as you get more of a sense of the season as a whole story.

MT: Will you be back to editing the series “Game of Thrones”? How does the process work? Who do you report to and collaborate with? The showrunners? The novelists? The director of…