July 2019 Film/Story/Screenplay Winners

A FilmFreeway preferred festival:

 

 

festival posterJOSH, 5min., USA, Drama/Family

ACTORROMANCE 1st Scene SCREENPLAY: BLUE CHRISTMAS, by Bethany Maines
July 2019 Winner

ACTOR SHORT SCREENPLAY: SAMANTHA, by Kieran Freemantle
July 2019 Winner

ACTORANIMATION SHORT SCREENPLAY: CHRISTMAS FEATHERS, by Christopher Sartorius
July 2019 Winner

ACTORFEMALE BEST SCENE SCREENPLAY: TROUBLE WITH FRIENDS, by Karen Matthews
July 2019 Winner

festival posterRED & THE KINGDOM OF SOUND, UK, Animation/Fantasy

festival posterHAPPY THE ANGRY POLAR BEAR, 3min., Animation/Family

festival posterWHALE FALL, 3min., USA, Animation

 

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Denissa Palmer, Temitope Akinterinwa, Efren Zapata, Zack Arch

FOUR FOR THE BORDER – Feature Screenplay Reading by Toby Roberts

Four for the Border is the February 2016 Feature Screenplay Winner. It is considered the top spec screenplay in the world today!

Watch Four for the Border by Toby Roberts:

CAST LIST:

NARRATOR – Victoria Urquhart
SKYE – Amaka Umeh
TRAPPER – Hugh Ritchie
POLLY – Mohogany Brown
ARTURO – Isaac Alfie
RUDDOCK/GELARDI – Julian Ford
HODDER – Sean Ballantyne

Get to know writer Toby Roberts:

Matthew Toffolo: What is your feature film screenplay about? 

Toby Roberts: The story is about three teenagers from completely different backgrounds on the run in rural New Mexico with a thoroughbred racehorse. But the underlying theme is the triumph of hope over experience and whether you should grow up doing exactly what your parents tell you or sometimes trust your spirit , abandon convention and go live your dream.

Matthew: Why should this screenplay be made into a movie? 

Toby: It’s a fun, life affirming story that touches the heart, adults and kids alike. But it’s also got a profound message. I’ll leave it to you to watch the reading to discover that message.

Matthew: How would you describe this script in two words?    

Toby: Adventurous fun

Matthew: What movie have you seen the most in your life? 

Toby: Midnight Run

Matthew: How long have you been working on this screenplay?  

Toby: On and off for years. Quite a few of them!

Matthew: How many stories have you written? 

Toby: Stories? Too many to count…I’m always jotting things down. Screenplays? Three.

Matthew: What motivated you to write this screenplay? 

Toby: Ultimately, the desire to tell a good, entertaining story. My parents had a lot to do with it in that my upbringing was a little unconventional and I thank them for that. I like to think I share those parental choices in the script.

Matthew: What obstacles did you face to finish this screenplay? 

Toby: Many. One of the hardest was avoiding procrastination and actually sitting down and writing. Then came the rewriting. In a sense this was more fun but the page count was always increasing as new ideas poured in and deciding what to rip out was extremely tough because once you undo one thread, the whole thing has the ability to fall apart. Then there’s a lot of patch work required. (I’ve no idea why I’ve come up with a sewing analogy as there’s no particular link to finely made clothing but it seems to serve the purpose!)

Matthew: Apart from writing, what else are you passionate about? 

Toby: Directing. Soccer. And playing squash. On a broader level, taking life by the balls and giving it a damned good squeeze.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Toby: As soon as I saw what the festival was about I knew FFTB was the perfect match, there was no hesitation to submit. The feedback was excellent, really opened my eyes to a number of issues I hadn’t considered before.

Matthew: Any advice or tips you’d like to pass on to other writers? 

Toby: Woody Allen said, “Eighty percent of success is showing up,” by which he meant, completing the script. (There are a lot more writers who talk about their ideas rather than get them down into completed script form.) So, bottom line is, write the damned thing! And to those who have achieved this, the next tip is keep rewriting. I too thought my first draft was it, that’s all I had to do…other than write my thank you speech at the Oscars. People told me it doesn’t happen that way…and I ignored them. Now I know. And I bet you most writers reading this will ignore it too. But here’s an indication of what it takes…I’ve done over 50 rewrites of FFTB. It’s won a couple of prizes, there’s been some professional interest, and yet I still dip into it and see ways of improving it. You might think it’s because I’m not good enough. But Woody Allen, one of the industry’s most prolific writers, still rewrites his scripts even during filming.

 


Director/Producer – Matthew Toffolo
Editor – John Johnson
Casting Director – Sean Ballantyne

Today’s Family Screenplay Reading: MODERN FAMILY TV Spec

Submit your Family Screenplay to the Festival Today: http://festivalforfamily.com

MODERN FAMILY TV SPEC
Written by Debi Calabro
Read 10 Questions with the writer

SYNOPSIS:

This episode it about the ups and the downs of parenthood but ultimately it’s all good in the end.

CAST LIST:

NARRATOR – Sean Kaufmann
GLORIA – Jane Hailes
CLAIRE – Jane Smythe
PHIL/MITCHELL – Kari-Michael Helava
CAMERON/LUKE/MANNY – Robert Notman
LILY – Antosia Fiedur
JAY – Sean Ballantyne