To save her Henrietta’s life, she is left on an earthling’s doorstep byGeegle one of the most untrustworthy characters in the plot. It so happens she is left on the wrong doorstep. She falls into the hands of the greedy Fritzgrumpy’s and becomes their slave. After Henri discovers she is afoundling and her supposed parents were only interested in being paid for looking after her. Her life turns upside down. Eanie Meanie saves Henri aided by withGeegle. So she canto find her way back to…
Matthew Toffolo: What is your feature film screenplay about?
Toby Roberts: The story is about three teenagers from completely different backgrounds on the run in rural New Mexico with a thoroughbred racehorse. But the underlying theme is the triumph of hope over experience and whether you should grow up doing exactly what your parents tell you or sometimes trust your spirit , abandon convention and go live your dream.
Matthew: Why should this screenplay be made into a movie?
Novels Showcased in 2015: 45 Novels Performed
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The music editor is a type of sound editor in film responsible for compiling, editing, and syncing music during the production of a soundtrack. Among the music editor’s roles is creating a “temp track”, which is a “mock-up” of the film’s soundtrack using pre-existing elements to use for editing, audience previews, and other purposes while the film’s commissioned score is being composed.
John M. Davis is one of the most talented people I have had the pleasure to interview. Just go to this website http://www.johnmdavis.com and explore his world of music.
Matthew Toffolo: I love the photo of you on your website. It describes who you are in one picture. Composing attire. The dog you obviously love. Cup of coffee. Piano. A rocking chair for thinking. Art Work. And a relaxed but determined look on your face. As they say, a picture says a 1000 words, or in your case a 1,000,000 words!
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Submissions take 3-5 weeks for evaluation. Looking for screenplays
Matthew Toffolo: What is your feature film screenplay about?
Toby Roberts: The story is about three teenagers from completely different backgrounds on the run in rural New Mexico with a thoroughbred racehorse. But the underlying theme is the triumph of hope over experience and whether you should grow up doing exactly what your parents tell you or sometimes trust your spirit , abandon convention and go live your dream.
Matthew: Why should this screenplay be made into a movie?
Toby: It’s a fun, life affirming story that touches the heart, adults and kids alike. But it’s also got a profound message. I’ll leave it to you to watch the reading to discover that message.
Matthew: How would you describe this script in two words?
Toby: Adventurous fun
Matthew: What movie have you seen the most in your life?
Toby: Midnight Run
Matthew: How long have you been working on this screenplay?
Toby: On and off for years. Quite a few of them!
Matthew: How many stories have you written?
Toby: Stories? Too many to count…I’m always jotting things down. Screenplays? Three.
Matthew: What motivated you to write this screenplay?
Toby: Ultimately, the desire to tell a good, entertaining story. My parents had a lot to do with it in that my upbringing was a little unconventional and I thank them for that. I like to think I share those parental choices in the script.
Matthew: What obstacles did you face to finish this screenplay?
Toby: Many. One of the hardest was avoiding procrastination and actually sitting down and writing. Then came the rewriting. In a sense this was more fun but the page count was always increasing as new ideas poured in and deciding what to rip out was extremely tough because once you undo one thread, the whole thing has the ability to fall apart. Then there’s a lot of patch work required. (I’ve no idea why I’ve come up with a sewing analogy as there’s no particular link to finely made clothing but it seems to serve the purpose!)
Matthew: Apart from writing, what else are you passionate about?
Toby: Directing. Soccer. And playing squash. On a broader level, taking life by the balls and giving it a damned good squeeze.
Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?
Toby: As soon as I saw what the festival was about I knew FFTB was the perfect match, there was no hesitation to submit. The feedback was excellent, really opened my eyes to a number of issues I hadn’t considered before.
Matthew: Any advice or tips you’d like to pass on to other writers?
Toby: Woody Allen said, “Eighty percent of success is showing up,” by which he meant, completing the script. (There are a lot more writers who talk about their ideas rather than get them down into completed script form.) So, bottom line is, write the damned thing! And to those who have achieved this, the next tip is keep rewriting. I too thought my first draft was it, that’s all I had to do…other than write my thank you speech at the Oscars. People told me it doesn’t happen that way…and I ignored them. Now I know. And I bet you most writers reading this will ignore it too. But here’s an indication of what it takes…I’ve done over 50 rewrites of FFTB. It’s won a couple of prizes, there’s been some professional interest, and yet I still dip into it and see ways of improving it. You might think it’s because I’m not good enough. But Woody Allen, one of the industry’s most prolific writers, still rewrites his scripts even during filming.
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Director/Producer – Matthew Toffolo
Editor – John Johnson
Casting Director – Sean Ballantyne
I first met James Wallis 5 years ago when he performed at one of our Screenplay Festival events when we were working at the National Film Board of Canada. Right away you could tell he was an actor on the rise as he always served the story he was performing in while also bringing an original and unique take. That is something that is very rare to see in an actor.
I was happy to sit down with James as he’s preparing to play Hamlet at the Monarch Tavern in downtown Toronto, Canada from February 2-7 2016. Go to http://www.shakespearebashd.com/hamlet.html for more information.
James also serves as the Artistic Director for the successful theatre company Shakespeare BASH’d.
Matthew Toffolo: What motivated you and your team to start the Shakespeare BASH’d company?
James Wallis: For me I was interested in doing Shakespeare’s plays very simply, with a bare bones approach to…