Critics Consensus: Cars 3 has an unexpectedly poignant story to go with its dazzling animation, suggesting Pixar’s most middle-of-the-road franchise may have a surprising amount of tread left.
The final chapter of the trilogy has saved the best for last and will at least deflect the most serious concerns of those who think this series has taken too many extra laps.
We get a lot of repetitive racetrack scenes – only a demolition derby stands out for the inventiveness of its animation – and a familiar message about believing in yourself.
“Cars 3” hums along the track, and while its heart and humor could use minor tune-ups, it does enough visually to earn a checkered flag and keep this franchise from the scrapheap – for now, at least.
Whether Lightning’s midlife crisis will resonate with the movie’s kiddie audience remains to be seen, but Fee and company get points for bringing it up at all.
Cars 3 does just enough, late in the day, to be considered an adequate sequel to Cars. And that ending might even pave the way for a Cars 4 I wouldn’t mind seeing too much at all.
Cars 3 is basically Rocky IV — minus the geopolitics and that glorious James Brown production number — with a little of The Karate Kid thrown in, along with pretty much every sports movie cliche ever.
Get your story performed at the Writing Festival. FULL FEEDBACK on all entries.
NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published. (see examples on the video playlist below)
A curious young girl is shocked to find a tormented soul trapped in her grandmother’s favourite painting, but she soon discovers there are even more sinister plans afoot.
CAST LIST:
Narrator: Sean Ballantyne
Kate: Andrea Meister
Beryl: Elizabeth Rose Morriss
Witch: Konstantina Mantelos
Caretaker: Anthony Botelho
Get to know the writer:
What is your screenplay about?
A curious young girl is shocked to find a tormented soul trapped in her grandmother’s favourite painting, but she soon discovers there are even more sinister plans afoot.
What genres does your screenplay fall under?
Family. Fantasy. Gothic undertones.
Why should this screenplay be made into a movie?
I think kids will fall in love with the story, and Kate in particular. My kids did. It’s packed with gothic fantasy, mystery and a strong young female protagonist. I’d love to see it on the big screen one day.
How would you describe this script in two words?
Bloody awesome.
What movie have you seen the most times in your life?
I’m an avid movie-goer and have seen lots over the years. If I had to choose my most frequently watched movie I couldn’t go past Top Gun. Hey, who didn’t want to be a jet fighter pilot going Mach 10 with their hair on fire?
How long have you been working on this screenplay?
It literally poured onto the page. I think I wrote it in a morning. The editing, however, took a little longer; about a week or so.
How many stories have you written?
I’ve now pumped out four short film scripts, all of which have won awards over the last 6 months. I’ve got another six or seven scripts being developed, including a feature film and tv pilot.
What is your favorite song? (Or, what song have you listened to the most times in your life?)
That’s a hard one to answer. I love Guns ‘n Roses, Queen, Robbie Williams. Very eclectic. Sympathy for the Devil has seen a bit of air time lately.
What obstacles did you face to finish this screenplay?
Writing and working full-time is never easy but this script just flowed. I guess you know it’s going to be okay when you don’t have to think too much about writing it.
Apart from writing, what else are you passionate about?
I love my kids, my Triumph Speed Triple (motorcycle), and building my financial technology business. Writing is definitely my passion however. Hey, maybe one day I’ll be writing for full time.
What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I signed up to FilmFreeway at the beginning of the year but have been pretty selective about entering film festivals. There aren’t too many that focus on family films which is a shame, so when I saw the Festival for Family I jumped at the opportunity. The feedback was tremendous. It prompted me to re write the ending to make it more satisfying and I’m so glad I did. My script sparkled after the changes.
Logline: The Grandson of an Ohio Football coaching Legend. A young boy loses his family to tragedy and has his love and passion for football as his guiding light. Overcoming obstacles throughout his early life he finds comfort in football. Ultimately his passion transcends him to greatness in spite of all that is stacked against him.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
Logline: A game of putting skills and trivia knowledge consist of 7 levels that contestant has to pass in order to win a main prize. Every missed putt require assigned trivia question to be answered in order to pass the level, or stop playing and keep the winnings.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
The film – the feature directorial debut for Gabriela Cowperthwaite, whose orcas-in-peril documentary, Blackfish, struck a nerve – treats the handler/dog relationship with respect, not cheap sensationalism.
With a female-directed, female-driven film this small, criticizing it feels like beating a baby seal. While well intentioned, the human-and-dog interest story lacks narrative drive and star Kate Mara is a limp noodle.
“Megan Leavey” works because it takes Leavey seriously as a character, and it studies her journey through her life and through the Marines before Rex is even a factor in the story.
Cowperthwaite’s approach is low key so that the heroics of both Leavey and her dog Rex play out as something that was just an everyday part of their job in Iraq and not like some Michael Bay action film.
As its title indicates, Megan Leavey is not interested in the war as such. What it offers instead is the story of her journey, heartfelt and well acted, but never surprising.
…director Gabriela Cowperthwaite hits all the expected beats in this coming-of-age tale, but with enough unexpected details that they seem fresh and new.